It's July, and the Midwest summer heat is smothered everywhere like butter. Here in Missouri, the past two months have been characteristically humid in the most uncharacteristic of ways: rain. Buckets and buckets of it. The aftermath looks like trolls have come out of hiding to angrily chomp away at the roads. ("Stress-eating", as I heard it hilariously put.) I absolutely love the rain, especially when it means I can slip into another good book, or enjoy ambling walks through unending, lush green grass. While sunny skies are deciding to make a more regular appearance, I'm still hanging onto the hope that neither of these little delights will disappear for me anytime soon.
Whatever the weather, summer is a time for waterside adventures, clinking iced beverages, and (hopefully) space to kick up your feet or plot some fantastic new venture. Though I have had some serendipitous summer travel, adventures often come in smaller packages. Like diving into a hundred pages of a new book in an afternoon, or crowding to see the newest blockbuster (or, ahem, newest Redbox addition).
In the midst of all these adventures, I find myself on the edge of something much further away. Each time I pick up a book or maybe settle in for a show, I'm not just here in the physical space of Missouri. I am on the edge of a pool far away, in a wood very different than the one outside my window. There is an enticing call of other worlds that has echoed once before. It beckons me to enter, just like it did to two children who peered over the edge. What could be in there? What might we find?
This pool I sit at in my thoughts belongs to the Wood between the Worlds, the land C.S. Lewis introduced as the first doorway into Narnia on the dawn of the world's creation. Polly and Digory stumbled upon this place of pools and worlds through the magic rings of a manipulative uncle. They soon discovered that their yellow rings would take them into the Wood suspended between universes, while the green rings would turn each pool into a portal and allow them to enter into another world.
Like Digory and Polly, I become transported to another place with each story I enter into. Even if I just think to slip in for a cooling respite, the stories are designed to take me somewhere.
Each one a new possibility: Adventure, mystery, perhaps even danger.
The truth is, I can't really know what I will find until I get there. What these children found beyond their pool was the shattered civilization Charn. Magnificent, eerily compelling, and wasting into decay. A large red sun bathed the landscape in the waning light of death and disaster. There were signs that unspeakable things could be lingering here, but a question moved them further into the world to discover what happened here, and what story this place would tell.
When you submerge yourself in a world, that world begins to soak through and affect your interaction with it. The two children come upon a great banquet table filled with people frozen in dramatic expressions of nobility, grief, and malice, each figure adorned in the most sumptuous of fabrics and jewels. This place was filled with captivating scenes, and awe-inducing displays. Digory began to forget he was in a place that was sick. He simply wanted to go further in.
In another part of the room, the children discovered a table with a bell bearing an ominous description.
Make your choice, adventurous Stranger
Strike the bell and bide the danger
Or wonder, till it drives you mad
What would have followed if you had
Despite Polly's pleas to leave, Digory had remained in this place long enough to let all he saw capture his imagination. After all, horror of horrors, what kind of state would they be in if they left now, and never discovered what would have happened if they stayed? Yet preserving wholeness is not always compatible with satisfying intrigue. With a ring of the bell, something awoke. Like the choice to press further into a tale and suspend our own disbelief, the boy struck a chord that shifted the children's positions from observers to participants. Their postures of self-distancing were suspended, and the world opened wide so they could fully enter in, unaware that this act granted permission for their surroundings to access them as well.
Jadis, the great queen, had awakened.
Those who know the story of The Magician's Nephew remember that the children, realizing the evil they had stirred with this woman, try to run. Despite their attempts to flee, they inadvertently draw the queen back to London where she wreacks absolute havoc. Even as they attempt to bring her back to her decayed world, everyone touching the children on that London street find themselves in a new, uncreated world, where the whole party watches a Lion's song form the land of Narnia. The weakened queen tries to flee, only to bide her time in hiding until she can emerge as the White Witch. Things are ultimately set right as Narnia grows deeper roots, but restoration takes much more time than the choice to let things remain unbroken.
We enter worlds of other imaginings all the time, be it through a pool of the silver screen or book cover doorways. I still love to look for echoes of Aslan's call when I enter any of these. "Awake. Love. Think. Speak. Be walking trees. Be talking beasts. Be divine waters." I can't really know what I will discover until I'm there, until I've seen some of it, but we all carry the rings to access and exit in our pockets. I can always put on my yellow and green ring, and choose to come out. Despite the otherworldly imaginings of grandeur, riddles of plot, or display of compelling emotions, undesirable things can begin to soak in and affect my feelings and perhaps even influence action. I too can bring things back with me that threaten to wreck an internal world and raise itself up as ruler in my thought life. Yes, I have unwittingly let Jadises enter into my head space when I was not equipped to deal with them.
What is even more unsettling than access is that, while the effect can be more than we desired, the act is not always unwillingly done. Digory admitted he knew what he was doing, despite his pretend of being enchanted.
Though I am a part of this world called Earth, I belong to another. The Jadises I entertain don't just affect me, nor even the world outside my mind. I am an ambassador for another Narnia, a heavenly kingdom. When the voice of the Holy Spirit urges me not to ring the bell of suspended disbelief, but to slip on my ring and leave, I can trust that there may be danger here that I am not able to ward off. If I give breath to those foreign figures of thought, they can gain strength to build unseen kingdoms and suppress generations seeking to know the Lion of Judah, the Lamb of God.
While I am entering into summer stories, I hope to take delight, look, explore, and glean. Still, I would be wise to remember the rings I carry. The choice to remove myself from where unwelcome things may stir is still within my grasp. Eyes are portals (like pools) to my soul. The things I invite in are not always easily contained by end credits or epilogues.